Touhou windows sound schemes keygen#
It manages to convey the intensity of the unwritten state of things as you progress towards the final boss. The final stages of the Makai route used this song. The Jigoku version is lower in pitch, but other than that… Anyway, the arrangements are all really nice, so you should give them a listen. It has two different version based on which route you’re on – Elis on the Makai route, or Kikuri on the Jigoku route. Or, “Magic Mirror” – in my opinion, one of the best songs from HRtP. It’s the theme for Jigoku stages 11 through 14. A song that fools you into thinking it’s going somewhere it’s not, and ends up being fairly boring. The Kodachi of Destruction or, as ZUN calls it, Blade of Banishment. And no, this has nothing to do with Marisa.
![touhou windows sound schemes touhou windows sound schemes](https://i.ytimg.com/vi/0E4BKh-y4QA/maxresdefault.jpg)
Like the others, it was arranged for Touhou 5, then again for Akyu’s Untouched Score. I greatly recommend the SD-80 arrangement.Ī nothing(?) song for Makai stages 11 through 14. The bosses start getting hard at this point, even if you’re playing Easy Mode. Depending on which route you take, it’s either YuugenMagan(the evil eyes) or Mima’s theme. The theme of the stage 10 boss, “Angel’s Legend”. This song was also arranged for Dolls in Pseudo Paradise. Anyway, it also happens to be where the Touhou OOO naming scheme for the games came from. It wasn’t originally made for Touhou Reiiden, but ZUN wanted to use it when he was first learning C. As such, it was one of the two songs he made an extra MP3 arrangement for in that void between the PC-98 era and the Windows era(along with Reincarnation).
![touhou windows sound schemes touhou windows sound schemes](https://themepack.me/i/c/749x467/media/g/419/touhou-theme-13.jpg)
Strange Oriental Discourse(or, Oriental Lesson) – the song ZUN professes to have been born just to make. The Brilliant Flowers – Track 2 “Highly Responsive to Prayers” (Masayoshi Minoshima feat.Touhou Reiiden has been compared to Breakout, but it’s got a different feeling all together, both in gameplay and in music. Arrange “Tha Positive and Negative” (Uchigi)Ī very odd sounding song the theme of Makai levels 6 through 9.
![touhou windows sound schemes touhou windows sound schemes](https://img.game-news24.com/2021/10/The-story-of-Touhou-Gensokyo-and-the-Heaven-Piercing-Great-Tree-now-available-in-English.jpeg)
Theme song of the stage 5 boss, Shingyoku. KOBATYU, vocals by CryuĮTERNAL CIRCLE NINE - Track 5, arr/per. This song was also arranged for the Dolls in Pseudo Paradise album. It’s a catchy tune that doesn’t take long to get stuck in your head(especially if you watch the whistled version). It was the stage music for levels 1-4, as well as 16-19 on the Jigoku route. One of the most famous songs from the PC-98 era – Reimu’s first theme song, translated to “Eternal Shrine Maiden”. It’s not much to listen to, but the Banbra DX arrangement is fairly good. In other words, everything started from here. In addition, Touhou Kaikidan has an additional MP3-format arrange that ZUN composed in the void between the PC-98 era and the Windows era. However, he slightly arranged every track from Touhou Reiiden and then he used that track as a base for another slight arrangement on Akyu’s Untouched Score Vol. However, there are some arrangements that bring light to even the bad ones, and those that do justice to the good ones.Įxplanation on different original versions: When ZUN made Touhou 5, he included the “Music Room Special”, which contained all tracks from the first four games along with the tracks from 5. It was, after all, ZUN’s first time doing music for a game(of his own creation, of course), so it’s understandable. The music from Highly Responsive to Prayers is largely hit-or-miss: while there are a few stand-out songs, most of them are pretty strange and hard to listen to while you’re playing the game.